Click!


Images and transcript from The Late Late Show with Craig Kilborn
Original broadcast: May 12, 2004


with Patrick Stewart
Star of "X-Men" and "Star Trek: The Next Generation"




Craig Kilborn: My first guest is a highly respected actor whose work ranges from Shakespeare to Star Trek. He plays the King of England in Showtime's "The Lion in Winter", which debuts a week from Sunday, on May 23rd...


Queen Eleanor: "Do you ever wonder if I slept with your father?"
King Henry: "My father?"
Eleanor: "It's a lie, but there are rumors. Don't you ever wonder?"
Henry: "Is it rich, despising me? Is it rewarding?"
Eleanor: "No."
Henry: "Then stop!"
Eleanor: "How? It's what I live for!"
Henry: "Then I'll show you. By Christ, I will. I'll do it!"


Craig: Please welcome Patrick Stewart!

(Cheers and applause)


Patrick: The hair!

Craig: We're going to get to that. A lot to talk about. Lot to talk about.

Patrick: (to audience) Thank you. Thank you, very much.

Craig: Including the fact that you grew out your hair for that role.

Patrick: Uh-huh.

Craig: We'll get to that. Good to see you again.

Patrick: And are you, Craig. It's always good.

Craig: Thank you. Good. Now, your voice -- I love it, people love it. I didn't know this -- I mean, I should've; I should've done more research over the years, when I've interviewed you -- but, you do a lot of voice-over with that mellifluous voice.

Patrick: Uh, I do some, yes. It's a pleasant, uh, aspect of my career.

Craig: Uh, heh. And did you always know...

Patrick: What does that smile mean? What was that, "Uh, heh"? Yeah, I know what you thought!

(Laughter)

Craig: I thought you were going to say it's a pleasant voice. I thought you were going to compliment your voice. Then you said it's a pleasant aspect of your career.

Patrick: I'm sorry, then I do you a disfavor. I thought you were going to say, "Hey, it's because of the money!"

Craig: Yeah, yeah, yeah.

(Laughter)

Craig: Isn't that... You're an artist, you sold out.

Patrick: You saw that clip!

Craig: But, no one knows you're doing it. No one knows it's... They don't go, "There's Patrick Stewart doing the beer commercial." No one knows that.

Patrick: You don't think they notice?

Craig: They notice, but they don't think you're selling out, because you're not showing your face. You know what I'm saying? You're not showing...


Patrick: (Heavy sigh)

Craig: Okay, I'm done.

(Laughter)

Craig: Now, let's talk about voice-over. Tell the young people what it's about. I mean, the direction you get, is it irritating, from some of these people? Or, they just let you go because you're an expert?

Patrick: No, they never let you just go. There's always direction. But, it's my policy -- particularly if I'm working with a new agency; or a new product; or a new director, "client" I think they call them -- it's my policy that I always say, when we meet for the first time, "Look, you've been working on this campaign for six months, a year; I'm the last element to be put into it -- tell me what you want. Direct me. Give me line readings," you know, "Give me notes. Anything. I'm here to be told. If you don't tell me, I can't give you what you want."

Craig: Wow. If you're going to act like... They must be paying you a lot, if you're going to let them just tell you exactly what to do.

(Laughter. Stewart pauses.)

Craig: Okay, I'm sorry. Go ahead. I'm sorry.

Patrick: It's just that, no matter what it is I do, I'm a professional, Craig.

Craig: Professional. Yes.

Patrick: And, I like to do... (laughs)

(Laughter)

Patrick: I like to do the best job I can. You know, it's not a matter of just sitting there in a chair, and asking celebrities questions!

(Cheers and applause)

Craig: (to audience) Stop that!

Patrick: Oh, no. Oh, no. No, siree.

Craig: All right. So, what kind of direction do they give you?

Patrick: Well, um, first of all, let me say, I do get a lot of direction. In fact, I might say, that I have had more direction from voice-over directors than I have from some legitimate directors on film, or television, or stage, or whatever.

Craig: Wow.

Patrick: But, they do get a little, kind of flamboyant, and sometimes contradictory. I do remember, quite recently, actually, a director saying to me, "All right, romance us. Seduce us. Sexy. We want to love you. Come on." Everything. So, I did. I won't do it for you now.

(Laughter)

Craig: Thank you. Thank you.

Patrick: You won't pay me to do it! And, then he said -- there is always then a silence, while they discuss it -- "Okay, now, we want severe; hard; cruel; be tough; be relentless."


Patrick: Okay, and so I do that. And then there's a long silence; and then he said, "Okay, how about something in the middle?"

Craig: In the middle of sexy, and then stern and tough?!

Patrick: But, you know, it's... Seriously, it is fascinating because you're being pushed around, and, as an actor, you're being -- even though maybe what you're saying isn't Shakespeare -- but, you're having to exercise your imagination, and your technique, and skills.

Craig: Yeah. We have something, right here. Is this one you did, Goodyear tires? Did you do that?

Patrick: Yes.

Craig: This is actual text. Show us what a voice-over guy would do. Show us what you -- how you read that. Don't do the sexy one, please.

(Laughter)

Patrick: Which one do you want?

Craig: I want the stern -- I want the, uh...


Patrick: (reading the card) Wow, this is tricky, isn't it? This is a difficult one.

Craig: Do you remember how you read that?

Patrick: All right, I'll just try and wing it. "Assurance in rain..." Oh, I whistled, didn't I? Did you hear that?

(Laughter)

Craig: You're fired. You're fired!

Patrick: Cut! Cut! Cut!

Craig: Try it again.

Patrick: The great thing about it is you always get a second chance, Craig. "Assurance in rain means Goodyear's deeply carved aqua-chutes propel water away from your tread. Assurance on ice means Goodyear's interlocking treads deliver gripping power!"

Craig: Yeah!

(Cheers and applause)

Patrick: (to audience) Thank you.

(Stewart rises and bows)


Craig: "The Lion in Winter"...

Patrick: Yes!

Craig: ... I believe is a remake, isn't it?

Patrick: Oh, I wish you wouldn't use that phrase.

Craig: No? What's the term?

Patrick: Well...

Craig: Do-over? What's it called?

(Laughter)

Craig: Sequel? What is it?

Patrick: We are revisiting.

Craig: "Revisiting." (With seeming reverence) Ahhh...

Patrick: (laughs) We are revisiting James Goldman's brilliant screenplay; and people have been saying, "Well, it was a great movie, a memorable movie -- triple Academy Award winner."

(Kilborn holds up a photograph)

Patrick: There he is.

Craig: One of your heroes, right? Peter O'Toole.

Patrick: Oh, yes. From, well... People ask me, "Did you watch the original movie while you were making it?" I was the only member of the creative team -- I was an executive producer, as well -- that didn't watch the original movie. Because, when I was an acting student -- 17, 18, 19, at school -- Peter O'Toole was the young leading actor at the local repertory theater, in the town where I was a student, in Bristol; and I would go every two or three weeks and watch him play Hamlet, the Damon pantomime, George Bernard Shaw, whatever -- and I had never seen a performer like him. He dazzled me.


Patrick: So, when people speak of, oh, John Barrymore, or, "You should've seen Richard Burton when he was on stage" -- my benchmark for brilliant, outstanding, unique talent was always Peter O'Toole. The last thing I needed to do...

Craig: Was to get intimidated, or...

Patrick: ... was to sit down and watch Peter O'Toole filming the role that I was about to make. So, I didn't watch it. But, I remember him because I saw it when it first aired; and he was wonderful, as was Miss Hepburn.

Craig: Yeah. Now, here's... You're with Glenn Close. And (to the audience, about Stewart) this is what I think is impressive, because he's a wonderful actor, but, for the role -- you know how De Niro put on weight for "Raging Bull" -- you actually grew your hair out, which I just think is remarkable.

(Laughter. Kilborn shows a photo of Stewart as King Henry)

Patrick: It's willpower!

(Laughter)

Craig: Yeah, yeah. Just very impressive.

(Applause)

Craig: "Five Questions" when we come back with Patrick Stewart.


(Applause. Commercial ad break...)




"The Lion in Winter"
starring
Patrick Stewart


(The interview resumes...)


Craig: We're back, with Patrick Stewart -- a.k.a. -- also known as Captain Picarn. Right?

Patrick: Captain who?

Craig: Huh?

Patrick: That is "Picard," to you.

Craig: Picard.

Patrick: Thank you.

Craig: Thank you. Um...

(Uneasy pause. Laughter)

Craig: I always wanted to know -- did you... You go to those conventions, right? The "Star Trek"...

Patrick: I have done, yes. I do.

Craig: With the geeky guys. The fans, right?

Patrick: (groans at "geeky") Ohhh.

(Laughter)

Patrick: "Enthusiasts."

Craig: Yeah, yeah. Do they have the memorabilia there, or not? Because I heard...

Patrick: They do. They have, um, what do they call them -- they have whole sections of these centers where traders come, and they sell, and deal, and trade.

Craig: It's expensive, right?

Patrick: It can be. It depends on what you're selling.


Craig: Right. Now, do you own any anything, any memora... Do you own any stuff?

Patrick: (pauses) This is a very sensitive question.

(Laughter)

Patrick: Really. Because, um, I have -- I have all my scripts, all my call sheets, every colored page of rewrites, for seven years of the series. And it's all collected, annotated, all in boxes -- and I told my children it's...

(Clapping)

Patrick: ... it's because I'm going to spend all my money, but I'm going to leave them all the scripts. That's their inheritance. And they can sell it off, a page at a time, on eBay.

(Laughter)

Craig: Wow.

Patrick: But, no, I don't have, I don't have... You know, people, um... Actors have all kinds of things. I actually asked for a costume. I actually offered to buy one of my costumes, from Paramount.

Craig: The, the... Your uniform?

Patrick: Yes, "uniform," sorry. Don't think of it as a costume; my uniform. And I learned they cost about $2000 to make, and I said, "I will give you two-thousand dollars for one of my uniforms," and they refused.

Craig: Wow.


Patrick: So, what most people do is, you know, they just -- as we say in England -- "They fall off the back of the wardrobe lorry." You know. People just took them. But, I couldn't do that.

Craig: You didn't take it?

Patrick: No, I have nothing. It's not true: I have a link of the chain of the bridge that Captain Kirk fell from when he died in the movie Generations.

Craig: Okay.

Patrick: And I have a... I do have a couple of little, um, what were they called...? (gestures toward his lapel)

Audience member: Communicator.

Patrick: Communicator! Thank you, very much. Fifteen years I did this movie! Communicators. Because, you know, I would take it off and forget to put it in my pocket. So, I do have two of those.

Craig: Okay. Well, I think it's nice that you're honest, and you didn't steal anything. I think that's commendable.

Patrick: I couldn't do that.

(Applause)

Craig: It's time for "Five Questions." Here we go.

(Cheers)

Patrick: Yes.


Craig: According to Barry Manilow -- this is geography -- the Copacabana was the hottest spot north of what city? The Copacabana, the hottest spot north of...?

Patrick: Havana.

Craig: Yes, that's correct.


Craig: Ten seconds on the clock. Besides the "X-Men," name 5 superheroes in 10 seconds. Are you ready?

Patrick: Umm. Okay.

Craig: Go.

Patrick: Batman, Robin, the Hulk, Wolverine, Barry Manilow.

Craig: Yeah. Oh, all right, this is experimental -- I need you to close your eyes. Close your eyes. I want you to inhale and tell me if you're smelling pancakes or waffles. Okay, I'll tell you when. They're right -- there's the plate, touching your chin.


Patrick: I can smell maple syrup.

Craig: Is that a pancake, or a waffle?

Patrick: It's a waffle.

(Cheers)

Patrick: Yes!

Craig: (sniffs the waffles) Oh, yeah, that's easy. That's too easy.

Patrick: But, you know, there was no maple syrup there.

Craig: It's vanilly in there. It's very good.

Patrick: Uh-huh.

Craig: Which of these staffers, over here -- you have Goldy, and then you have Chris, and then you have Ian -- which has attended a "Star Trek" convention? They all work here. One of them actually went to a "Star Trek" convention. Is it Goldy, Chris, or Ian?


Patrick: It's Ian.

Craig: That is correct! Ian, right there. How'd you know? How did you know?

Patrick: Um, I know. Just, you know, it's...

Craig: That is funny!

Patrick: It's instinct.

Craig: I need you, now, to really be honest on this last one.

Patrick: I thought there were five. Wasn't that five?

Craig: No, that's four.

Patrick: Oh.

Craig: You really do own one of Picard's uniforms, don't you?


Patrick: No, I don't! No, I do not, Craig. Nothing in my wardrobe.

Craig: That is false, ladies and gentlemen. We have a gift for you -- we have a gift for you, Patrick. There it is.

(A Star Trek uniform is wheeled out on a mannequin. Applause.)


Craig: This is true. It's from Rick Berman.

Patrick: Oh, my gosh.

Craig: (to stagehand) Pull it in here.

(Cheers and applause)

Patrick: Are you serious? This is...

Craig: Now, wait. We got a shot of that?

Patrick: This is for real?

Craig: Yeah. Here's what we have. This is a note -- this is from Rick Berman, the creator of the Star Trek Enterprise: "Patrick, see what happens when you ask for something from Paramount and PROMAX. You should wait at least a week before you try to sell this thing on eBay."

Patrick: (laughs)


(Laughter)

Craig: That's yours. That's a gift.

Patrick: Thank you.

Craig: They say it's worth $20000 right now. Yeah. I can say that, Todd, right? It's worth twenty-thousand dollars right now.

(Audience hoots)

Craig: Okay, wait. "The Lion in Winter", Sunday, May 23rd, on Showtime. Great to see you again. That's yours. You okay?

Patrick: Yes. I'm a little, uh, shocked. Thank you.

Craig: Patrick Stewart!

(Cheers and applause. End of Patrick Stewart's segment.)


VRRRM Transcript and Screen captures by TRexx@BonBon.Net


"L.O.T.R." Trivial Pursuit




"Harley-Davidson" Dominoes




Scrabble: Folio Edition




"X-Men" UNO




Chun Li




"Spider-Man 2" Movie Figures Series 3




Star Trek NCC-1701-A



Star Trek Enterprise NCC-1701-A, 12-inch electronic starship. Authentic rendition of Captain Kirk's Enterprise. Features hyper-realistic starship detail, authentic Enterprise sound effects from the show, and light-up Impulse Engines, Warp Nacelles, Bridge Dome, and deflector. Also comes with a rotating display base. Approximately 16 inches long x 7 inches wide.




Patrick Stewart Edition Phaser


Autographed by Patrick Stewart! Limited to 500 worldwide. Comes with a custom display case, numbered display plaque signed by Patrick Stewart, and plaque holder. Includes a certificate of authenticity with a photo from the autograph event and a behind the scenes story about the prop.

Recreated from a comprehensive study of an original prop and carefully handcrafted by master artisans, the Star Trek First Contact Phaser replica is made of the highest quality parts. Features: Stun! Heat! Disrupt!! Unique light and sound effects for each power setting. Comes with a custom display case, numbered display plaque, and plaque holder. Includes a certificate of authenticity and a behind the scenes story about the prop.

The Phaser prop used in filming Star Trek: First Contact was commonly known as the "boomerang" phaser on the set because of its curved, ergonomic design. The "boomerang" phaser prop was used as the primary Starfleet hand weapon in Star Trek: First Contact and Star Trek: Insurrection, and it was worn as a background prop in Star Trek: Nemesis. It also appeared in several seasons of Deep Space Nine and Voyager.

The first Phaser props with functioning power settings were created for filming Star Trek: First Contact. The prop designers hollowed out a casting of a static Phaser prop to make room for the addition of electronics and a custom circuit board that provided the realistic functionality the producers wanted. The actors were able to power-up and power-down the Phaser lights by pressing buttons on the prop thus creating the illusion of a functioning Phaser on-screen.



Search:
Keywords:
In Association with Amazon.com

040515